As a psychological horror-thriller, Mariama Diallo’s indie masterpiece ‘Master’ does little to resolve the central problem. However, the film’s conclusion leaves a trail of contemplation in the mind of the captivated viewer. Regina Hall plays Gail Bishop, the first African American housemaster at the elite Ancaster University, in her first performance. In the same year, Jasmine Moore, a college student, is assigned to the ill-fated room 302 in the Belleville House. Jasmine is compelled to examine the old Witch trial on the college grounds because it is connected to her dorm room. In the midst of all the contradicting signifiers, desperate voices echo a dreadful truth beneath the “inclusive” apparel. Let us assist you if you want to examine the film’s concluding moments with a magnifying glass. WARNING: SPOILERS AHEAD.

Synopsis of the Main Plot

“Can Someone Clean That Up Please?” is a six-chapter tale recounted from the perspective of college student Jasmine Moore. “I Hate You,” “That’s What’s Coming,” “Now More Than Ever,” “It’s Everywhere,” and “I’m Not Going Anywhere” are some of the songs on the album. Jasmine locates a student volunteer to show her the assigned room, and the volunteer, overjoyed, informs her pals that Jasmine has received the “room.” The storey indicates that the room alludes to Belleville House room 302, when a girl committed suicide by falling out of the window.

There are numerous rumours circulating about the house, and we learn more as new House Master Gail Bishop addresses the students. While she cannot confirm Roosevelt’s rejection from the university, she does know that a witch trial involving a lady named Margaret Millet took occurred there. Jasmine gradually comes to know her roommate Amelia, as well as Cressida, Katie, Libby, and the rest of the gang. While Gail is dealing with a snide remark about her resemblance to Barack from colleague Brian and his wife, Jasmine enters her room to find it packed with strangers. Amelia introduces her to the gang, who is led by storyteller Tyler.

Tyler frightens Jasmine with a storey about his batchmate Treasure, who jumped out the window at 3:33 a.m., but the storey has some truth to it. Meanwhile, Gail uncovers an old photograph of an African American maid who looks uncannily similar to the dining worker who is suspicious of Jasmine. The librarian is also unfriendly, double-checking Jasmine’s bag since she is a plainly visible minority in an institution with only eight members on its nascent racial inclusion forum, ‘The Ancaster Alliance for an Inclusive Future.’ Jasmine, increasingly alienated and suspicious, moves closer to fulfilling the omen, as Gail cries out for justice in a worm-infested system.

Master Ending: Is Jasmine Alive or Dead?

While Treasure is a made-up name, Jasmine recognises that Tyler’s storey may be true. As it turned out, a fatality did occur in the room. Margaret Millet’s spirit, according to legend, still haunts the Belleville House, claiming one pupil each year. Tyler overstated a little, but his exaggeration hides a rejection of the university’s undercurrents of racial injustice. Jasmine searches the school records for the name Louisa Weeks. During the 1968-69 period, Louisa, a resident of Belleville, room 302, was discovered hanging in her room.

The plot takes a turn for the worst when Amelia witnesses Jasmine kissing Tyler. They quit talking to each other despite not telling their housemaster much about the altercation. Gal subsequently discovers Amelia in severe shape one night as the offender flees. Gail visits Amelia’s room and finds Jasmine’s face blacked out from the photo on the door. Meanwhile, Jasmine has the keys (who is in the archive room), prompting Amelia to leave. Shortly after, Amelia leaves the college for good, while Jasmine is outcast.

Her intricate nightmares have a negative impact on her, and she confuses fantasy and reality. The dreams become more clear and freeform, frequently extending into her waking life. Gail discovers the words “LEAVE” scratched into the door of room 302. There are various opposing forces at work here. Even the canteen employee is taken aback to find Jasmine on the other side of the counter. However, Jasmine comes upon Louisa’s diaries, who, as you might expect, suffered challenges owing to colorism. As her migraines worsened, she slipped down a similar rabbit hole. The final entry in Louisa’s diary is “Margaret,” which she wrote with difficulty. Someone even burns a cross in the front yard of the house to frighten Jasmine.

As the events develop, Jasmine notices a cloaked figure, possibly Liv’s mother, Esther. Jasmine connects the dots and imagines herself as Margaret. Jasmine goes to her room and closes the door, only to discover that someone is pounding (which can be wind). At 3:33, her foot slips while out on the roof, but Jasmine survives the fall. Gail subsequently discovers Jasmine in the room, hanging from the ceiling. Since Gail hears an uproar from Jasmine’s residence shortly before, it could be the work of Jasmine’s classmates and fellow boarders. Jasmine dies, and her absence disturbs the story’s sinking cadence.

Is Liv a black or white person? Is Liv Leaving College?

Professor Liv Beckman is a literature professor of mixed ancestry. We can recognise her laid-back approach to teaching and communicating with pupils, as well as her original ideas. In the beginning, Jasmine is at odds with Liv over her work on a critical race analysis of ‘The Scarlet Letter,’ for which she receives a ‘F.’ Jasmine has written with zeal. Liv, on the other hand, sees little worth or substance in the piece. Cressida, on the other hand, who has written about things like the colour red, Indians, and the French-Indian War, the combustible roots of imperialism, and so on, has received a ‘B+.’ Jasmine discusses the situation with Gail and considers filing a complaint.

The disagreement sparks rumours among the professors, who consider re-evaluating Liv because she appears to be weak in publications. Liv’s attempts at a “girl’s night” with Gail, on the other hand, fail miserably. However, they are both aware of how persons of colour are underrepresented on the faculty due to the prevalence of racial stereotypes. As a result, Gail tells Liv that she has no idea what would happen if Liv left the institution. Liv brings up Jasmine’s alienation in the classroom in front of the evaluation committee.

Meanwhile, the entrance of Liv’s mother, Esther, on the scene creates a new issue. Esther believes Liv is white, and that some godforsaken malevolent force has altered her appearance. We’ve also seen the painting on the library wall that portrays Margaret as white. As a result, it’s not unexpected that Esther mistook Elizabeth (Liv) for white. As Liv assures an inquisitive Gail, she was born from an interracial relationship. Gail makes amends with Liv after bursting out with her impassioned statement. Ancaster was also the only college where Liv had the opportunity, and she did not want to leave her home. As a result, Liv and Gail both wind up staying on campus.

Who Are the People in the Last Photos?

The faculty gathers in the hall for the conclusion, and Gail has an emotional outburst. Faculty members are more concerned in evaluating Liv than with investigating Jasmine’s death. They come across as affluent white people, to whom Gail’s issue is simply a “her problem.” As a result, Gail comes to the realisation that nothing has changed. When she watches individuals reenacting incidents from images on the room wall, history comes to life in front of her eyes.

Gail, for example, notices three people playing cards at a table, similar to the one on the left side of the table. It’s possible that these illustrious administrative officials are the second or third generation descendants of the persons in the framed images. The suggestion is that, with the same families operating the institution, the maid may have risen to the position of master, but the racial undercurrents remain. It hasn’t altered at all, and Gail’s prediction is even more dismal — “and it’s never going to change.”