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We’re All Going to the World’s Fair Ending Explained

Beware if you plan on attending the World’s Fair. The psychological horror film ‘We’re All Going to the World’s Fair,’ written and directed by Jane Schoenbrun in her feature debut, is a compelling cinematic experience. The film explores an all-encompassing alienation and lack in late capitalist society by combining the banal misery of the physical world with the unimaginable horror of the virtual. In turn, the technique is psychic, communicative, and calling your inner child. The end result is cathartic because it takes you out of the circle. Casey’s narrative, told on a minimal budget, is both intense and liberating. Let us assist you if you are scratching your brow as the credits run down the screen. WARNING: SPOILERS AHEAD.

Plot: We’re All Going to the World’s Fair Synopsis

Casey begins by filming herself signing up for the World’s Fair Challenge. She welcomes viewers to her channel and then displays her raccoon toy, Poh. She says ‘I’m going to the World’s Fair’ three times after cutting her fingertip with a badge. The game appears to begin. Casey goes for a walk in the neighborhood in the afternoon. Casey spends her nights watching recordings of people who have taken part in the World’s Fair Challenge.

Some people believe they are transforming into something they are not, while others are unable to feel their bodies even when slapping themselves while running on a treadmill. In a graphically exaggerated video, some claimed to have turned plastic. Casey’s second film is about nothing more than her lounging in a hammock in the woods. After describing a dream in which she walks to the middle of the street only to be hit by a car, she informs the audience that her body has gone numb. Her numbness could be owing to the snowy November weather, but she knows she isn’t feeling anything.

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Then, as if in a dream, she walks out to the barn and falls asleep on the couch while a projector begins to play. Casey is lulled to sleep by a woman (perhaps her mother), and she receives a message from JLB. JLB tries to pull Casey into the game by claiming to be running an in-game challenge, and Casey plays along, her videos becoming increasingly frightening. JLB appears overly concerned with Casey, despite the fact that they converse via video. After calling him out one night, Casey breaks off all communication. JLB claims to have met Casey in a video a year later.

Why Does Casey Cut Contact With JLB at the End of We’re All Going to the World’s Fair? Is JLB a child molester?

Casey’s films become increasingly sad and cathartic as the story progresses. Casey records herself napping in a video. JLB informs the audience that Casey awakens at 4.55 a.m., stretching her hand under the bed. She arouses with a nasty grin on her face. Unless you’re a creepypasta fan, this sequence shouldn’t be very frightening. However, while watching such a creepypasta video, you can wonder if it’s real or a play. And there’s no way of knowing.

Despite the fact that it is most likely a performance, you are lured to the video because you want to be afraid. And, in an increasingly alienated world, you want to represent the genuine, even if that reality is twisted into a glitchy haze. This is the case with JLB. He contributes to the mythmaking of the World’s Fair while confined in his own home with nothing else to do. At first, he proposes to Casey that his channel is an in-game channel, which appears to be a ruse to gain Casey’s trust. Casey uploads two more videos: one of her dancing and singing (with a startled scream in the middle) and another of her looking at Christmas decorations.

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Another depicts Casey’s suicidal fantasy, but it ends with her strolling into a crowd enjoying New Year’s Eve. All of the recordings mask a disconnection from the physical world, as Casey has visions of disappearing. Casey, on the other hand, examines through the fabric of the story constructed around the game. In the end, she rejects it in favor of the monotony of her daily routine. Meanwhile, JLB becomes enamored with Casey. JLB sends a “urgent” message to Casey, inquiring about her location, especially after witnessing the video of Casey tearing up her childhood toy Poh.

JLB describes how he would report Casey’s profile for the videos during the Skype call. He was about to phone the cops, but he didn’t know where she lived. At this point, it appears like JLB is attempting to obtain Casey’s address but is unsure how to do it. His worry comes across as utterly phony, and the entire game appears to be a sham. Casey returns to the reality of her familial oppression, which in her perspective extends to gendered discrimination. She dismisses her own films as “acting,” refers to JLB as a pedophile, and exits the loop.

JLB appears to have nothing better to do than trick girls like Casey into believing they live in a game. He does not provide easy answers to Casey’s questions, simply adding to the game’s enigma. He lives alone in the house, and even the place barely holds a sliver of his life. The majority of his online presence is limited to the internet’s outskirts. Although his mental deficiency is severe, some would hesitate to label him a pedophile. It’s possible that he’s worried Casey will commit suicide.

However, based on all of the red signals, the absence in his suppressed masculine existence may manifest itself in the hideous form of pedophilia. Although some may claim that he has no malicious intent, his fixation with a fellow YouTuber appears to be out of character. Casey’s shouting in the middle of dancing and singing raises a more fundamental question. Are we becoming engrossed in the performance?

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What Will Happen to Casey? Is she alive or dead?

The epilogue of the novel transports us to JLB’s home, complete with a beautiful soundtrack and dazzling sunlight. He mentions making contact with Casey, who spent some time in an assisted living home after the night. JLB also appears to have experienced distress after learning how frail his attempts to provide meaning to a virtual facade were. Casey applies to a theater program in New York after leaving the institution. She has emerged from the shadows and aspires to apply her exceptional theatrical abilities in a more constructive setting.

JLB expresses his excitement at finally meeting Casey in person. They couldn’t say anything since remembrance was overpowering the present. JLB was a lonely individual lurking in the internet’s dark corners, not some fabled purveyor of a mind-bending game. JLB’s closing words, “That night, I made it there,” appear enigmatic and ominous. Was he molesting or murdering Casey? The former is possible, as JLB emphasizes, “Something pulled me back.”

The story then continues on to them eating pizza and calling it a night, but JLB’s words haunt us as we depart. Although Casey survives at the end of the novel, the tragedy may have left a mark. Our minds lead us to believe Casey is dead, especially if we have been conditioned by watching too many movies in which people die. Violence, on the other hand, does not always result in death; it might take root in your desire to let go of oneself. As a result, violence can be as innocuous as Casey pulling apart her childhood doll or JLB making it “there.”

Duration: 86 min


IMDb: 6.2

We’re All Going to the World’s Fair Ending Explained
We’re All Going to the World’s Fair Ending Explained
We’re All Going to the World’s Fair Ending Explained


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