Vaashi (2022) malayalam movie which is released in Malayalam language in theatre near you. Watch Thiruttuvcd Vaashi Malayalam Movie Review, Trailer Online, Teaser, OTT Release Date, First Look, Poster, Audio Songs, Movie Updates and Details, Wiki & IMDB, Vaashi Movie Release Date, lead Star cast and crew like Hero, Heroine, Movie director, photos & video gallery.

Vaashi Movie Details

Vaashi is a 2022 Indian Malayalam-language courtroom drama film written and directed by Vishnu G. Raghav and produced by G Suresh Kumar, with Menaka Suresh and Revathy Suresh co-producing. Kailas Menon composed the music for the film, which stars Tovino Thomas and Keerthy Suresh.

Vaashi Movie Release Date

The film released theatrically on 17 June 2022.

Vaashi Movie OTT Release Date

Vaashi is coming to Netflix on the 17th of July in Malayalam, Tamil, Telugu and Kannada!

Vaashi Movie Cast

• Tovino Thomas as Adv. Ebin Mathew
• Keerthy Suresh as Adv. Madhavi Mohan[8]
• Anu Mohan as Gautam Ganesh
• Anagha Narayanan as Anusha Shivakumar
• Baiju Santhosh as Adv. Satheesh Mulloor
• Kottayam Ramesh as Magistrate
• G. Suresh Kumar as Mathew
• Nandhu as Shivakumar
• Rony David as Jose
• Maya Menon
• Sreelakshmi as Madhavi’s Mother
• Maya Viswanath
• Arya as Nandhitha
• Vanitha Krishnachandran
• RJ Raghu as Vimal
• Meera Nair PS as Elsy
• Amal Rajdev as Ganesh
• Vijaya Kumari as Ganesh’s wife

Vaashi Movie Summary

Colleagues Adv. Ebin and Adv. Madhavi fall in love. They appear on opposing sides of an IPC 375 case with IPC 417 features. Both are fighting the lawsuit with the intention of winning, which causes complications in their personal lives. Adv. Mulloor, their mentor and friend, urges them not to combine their personal and professional lives, and they eventually accept his counsel and reconcile with each other. Adv Madhavi’s side loses the case, and the victim experiences Stockholm syndrome. Both Adv. Ebin and Adv. Madhavi struggle to accept the moral bounds of their profession, but they decide to keep their professional and personal lives separate and recognize that their love extends beyond the courtroom egos.

Vaashi Movie Review

During a conversation, the film’s key characters, both lawyers, agree that there is no such thing as black and white in reality, but rather varying shades of grey. It is vital to note, however, that the most fundamental combination for creating grey is black and white.
Ebin Mathew (Tovino Thomas) and Madhavi Mohan (Keerthi Suresh) are buddies who face the same challenges as any rookie lawyer. As they work to further their jobs, they meet challenges that call into doubt their personal commitments. The plot revolves around how the two, who are both competent and egoistic, handle the situation.

Vishnu G Raghav’s debut feature film, based on the narrative of Janiz Chacko Simon, is a courtroom drama that aims to address a socially relevant subject via the lives of two legal professionals who are also partners. The film, which is reminiscent of many films in different languages in which relationship issues occur due to professional obligations, is poorly crafted and portrays assault and feminism incorrectly.
Though Tovino Thomas has done a good job with Ebin, Keerthi Suresh, who appears in Malayalam film in a starring role after a while, fails to bring Madhavi to life. She tries far too hard to be the “strong woman” that society now honors through fashionable feminism. While she tries hard to portray the ‘strong’ character that lacks depth in the script through her body language and unsmiling visage, the film encourages masculine objectification of contemporary women.

Despite being set in a contemporary urban Malayali setting, the characters and storyline adhere to patriarchal dominant class conventions and prejudices about female identity. It’s commendable that both the male and female characters were given equal time. Nonetheless, the film falls short of portraying Madhavi as a believable feminist, as she says in the film. The attempt is too superficial, disappointing free ladies with genuine promise. Once again, women are forced to enter the box containing marital requirements and a male shoulder to cry on. Kailas’ music, with lyrics by Vinayak Sasikumar, provides some respite.

When women or any other minority gender set out to bring in discourses on the prejudice they suffer – whether it’s #MeToo or gender based violence – we’ve seen films that deny that thinking by bringing out male fantasies to support the dominant masculine thought. Such films cannot be labeled “empowering” when many abused people continue to live in silence and many more are resisting workplace harassment. The much-celebrated dialogue’sex is not a promise’ from the lead actor’s 2017 film, which is used to justify an abuse in this film, is a testament to what film can do to the audience’s psychology.

The film demonstrates that the film industry has yet to have an opinion on relationships, consent, sex, abuse, assault, and feminism. Given the current trend, it’s high time for male writers who venture to portray sophisticated female characters who contribute considerably to the plot to comprehend women, their thoughts on sex, life, love, marriage, feminism, and companionship.
Finally, let us note that grey can also be created by combining other complementary colors. Wouldn’t that provide the world with a plethora of perspectives?