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Sila Nerangalil Sila Manidhargal Movie Details

Sila Nerangalil Sila Manidhargal is a 2022 Indian Tamil-language drama hyperlink film written and directed by debutant Vishal Venkat and produced by AR Entertainment and Trident Arts. The film stars Ashok Selvan in lead role with Nassar, K. Manikandan, Abi Hassan, Anju Kurian , Reyya, K. S. Ravikumar, Riythvika and Sivamaran in supporting roles. The film’s music is composed by Radhan, with cinematography handled by Meyyendiran and editing done by Prasanna GK. The film was released in theatres on 28 January 2022 and received favourable reviews .

Sila Nerangalil Sila Manidhargal Movie Review

The titles of a few films are so appropriate that we are probably prepared for what we will see on-screen for the next couple of hours. Sila Nerangalil Sila Manidhargal is one such film that takes us through the lives of four young people from various backgrounds who are all influenced by one common incident – a terrible road accident. The emotional drama emphasizes the reality that life has always been nice to us and that it is only up to us to make things right. The film is about the regret, remorse, and realization of people who have been affected by an incident.

Vishal Venkat, the film’s debut director, has made sure that the message comes across loud and clear near the end without being preachy. However, when it comes to the early staging and character sketches, the creators have made it far too evident for the audience to comprehend what kind of metamorphosis they will go through in the second half. The director begins the film with Selvaraj’s (Nasser) character going through his morning rituals and walking down from his flat to get some milk. That single continuous picture by cameraman Meyyendiran vividly shows how significant this old guy is and how the events that follow are dependent on his decisions. In a few moments, we meet his son, Vijaykumar alias Vijay (Ashok Selvan), a caring youngster with anger management issues. He has a reputation for believing that his decisions are more important than those of others. For example, in one scenario, he refuses to take a day off from work to accompany his father to send his wedding invitation to friends and family. However, he has no idea that this decision will turn his life upside down and have a ripple effect on the lives of countless others.

Meanwhile, we get a glimpse into the life of Pradheesh (Abi Haasan), a promising actor and the son of famed filmmaker Arivazghagan (KS Ravikumar). His speech at the audio launch of his first film becomes viral for all the wrong reasons, and he is mocked on social media. That doesn’t stop there; Pradheesh is involved in an automobile accident, which nearly ends his career. Praveen (Praveen Raja), a senior software engineer who is waiting to return abroad, and (Rajasekar) Manikandan, a housekeeping supervisor who desperately wants a higher position at work, cross paths in their lives. What happens next is the story’s climax.

Delineating multiple characters and narrating their stories while jumping between narratives is not easy, but Vishal Venkat has done so with ease. When done effectively, these types of genres are always intriguing to watch because you will undoubtedly learn something from them. Manikandan’s dialogues have complimented the tale effectively, and this is most likely one of the film’s selling points. At the end of the film, Nasser says that everyone makes mistakes, but there is always a second chance to realize and let go. That’s pretty much it.

Though the director’s intentions are good, a few mistakes in character drawing disrupt the flow. For example, we realize that Ashok Selvan’s character struggles with anger management, but it doesn’t imply he should be shouting throughout the film. It may have been done subtly with some powerful dialogue. His exaggerated voice distracts us from the emotions we felt in the previous scenes, making it difficult for us to relate to him. However, the final couple of scenes, in which he interacts with his girlfriend Malar (Reyaa), do bring tears to our eyes. Watch out for Ashok’s performance.

Vishal has handled Abi Haasan and Manikandan’s characters in an innovative way. Despite their shortcomings, both of these jobs provide us with an entertaining experience. Manikandan, in particular, is an asset to Tamil cinema. He gets the sense of the scenario and character and gives a convincing performance. The emotions he expresses during his interaction with Vijay (Ashok Selvan) make us root for him. Nasser’s experience comes into play. He is fantastic as Selvaraj, an elderly man with health issues.

Riythvika, who plays Praveen’s wife, has given a good performance. We’ve seen Riythvika play such characters before, and she’s done it again flawlessly here. In one scenario, Praveen considers the gadgets he has acquired over his life and realizes they are useless when he is desperately in need of money. Even though it had a lot of richness, that sequence may have been a little shorter.

Regret, more than any other feeling, can instill in us an intractable bitterness. When every character in the film experiences a similar emotion, we are forced to become a part of their journey and reflect on our own. Sila Nerangalil Sila Manithargal is a heartwarming film containing some lessons for people of all ages.