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Etharkkum Thunindhavan Movie Details

Etharkkum Thunindhavan also known under the initialism ET, is a 2022 Indian Tamil-language action thriller film written and directed by Pandiraj and produced by Sun Pictures. The film stars Suriya, Priyanka Arul Mohan, and Vinay Rai. The music is composed by D. Imman, with cinematography and editing being handled by R. Rathnavelu and Ruben respectively. The film’s story revolves around how Kannabiran (Suriya), who is a social fighter in the film, will be fighting the crimes against women.

Etharkkum Thunindhavan Movie Review

Etharkkum Thunindhavan, directed by Pandiraj, opens with a sequence of murders performed by Kannabiran (Suriya). Except for his father, Aadhi Rayar (Sathyaraj), no one in his family or village believes he has the capability to murder people. After all, he assists individuals in obtaining justice as an honest lawyer and an anna (brother in English) to ladies.

As the story continues, we learn that two villages have a rivalry. Inbasekaran AKA Inba (Vinay Rai), a powerful man from the rival tribe, has harmed countless ladies with his gang of thugs. Kannabiran’s family suffers as he battles against him. The plot revolves around Kannabiran’s efforts to bring justice to the women who suffered at the hands of Inba.

Etharkkum Thunindhavan addresses a critical issue: women’s safety in the internet era. The intention of director Pandiraj to create a popular entertainer with a much-needed social message should be commended. The rural entertainer mentions the 2019 Pollachi sexual assault case, which is still fresh in people’s thoughts.

While Etharrkum Thunindhavan has a compelling premise, it fails to elicit a favourable emotional response. The narrative and inconsistencies in individual actors’ performances fail to captivate the viewer and make the impression that the film intended. Despite some strong emotional scenes, there appears to be a disconnect between the characters.

The central theme of Etharkkum Thunindhavan is how a legendary gang sexually exploits and murders women. When the film becomes serious, it draws you into its world. However, you become tired of seeing the choreographed drama that is designed to leave you in splits during the love and family feeling passages.

Despite its flaws, Etharkkum Thunindhavan contains several outstanding talks concerning women’s dignity. Suriya and Pandiraj provide a knockout performance in a scene in which Kannabiran consoles his wife Aadhini (Priyanka Arul Mohan) and promises to be an ally. Suriya, as a prominent hero, is meant to make a difference when she asserts that a woman’s dignity does not reside in her body.

Pandiraj has worked hard to create such emotive situations. However, he has failed badly in his portrayal of Priyanka Arul Mohan. In the second half, she gets one strong sequence. However, the first sequences depict her as a typical ‘loosu ponnu’ (a lady who is attractive but naive and dumb). It’s past time for directors to realise that idiocy does not pass for cuteness.

Suriya’s show is Etharkkum Thunindhavan all the way. He’s in peak condition. He is entertaining to watch, whether he is nailing emotive dialogues or smashing up the goons. The performances of Priyanka Arul Mohan and Vinay Rai are ineffective, which is a huge flaw. Sathyaraj, Saranya Mohan, Soori, and Ilavarasu play unmemorable roles.

Etharkkum Thunindhavan could have been a lot shorter if D Imman’s songs hadn’t been so boring. The songs are positioned inconveniently and do not entertain you. Ratnavelu’s cinematography is outstanding, particularly at the climax and interval sections. If the team had focused more on the writing, Suriya’s Etharkkum Thunindhavan may have been far more impactful.