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Bheemla Nayak Movie Details

Bheemla Nayak is a 2022 Indian Telugu-language action drama film directed by Saagar K Chandra from a screenplay written by Trivikram Srinivas. It is a remake of the 2020 Malayalam film Ayyappanum Koshiyum by Sachy. Produced by Suryadevara Naga Vamsi of Sithara Entertainments, the film stars Pawan Kalyan, Rana Daggubati, Nithya Menen and Samyuktha Menon.

Bheemla Nayak Movie Review

When Pawan Kalyan stars a remake, you know the original will not only be reproduced, but will also be altered to keep his fans happy. So, if the original is a drama about two men trying to outdo each other, with class and caste disparities creating an uneven power dynamic, the remake will include plenty of fight scenes, massy moments, and a dash of the actor’s political beliefs thrown in for good measure. While such films occasionally succeed and occasionally fail, Saagar K Chandra’s version of Ayyappanum Koshiyum, with script and lines by Trivikram Srinivas, succeeds on the whole.

Sarhad Bheemla Nayak (Pawan Kalyan) is a sub-inspector in the Andhra Pradesh tehsil of Srisailam. He is from the tribal hamlet and has a harrowing background. Daniel Sekhar (Rana Daggubati) is the egoistic son of an ex-MP (Samuthirakani) who is caught illegally transporting liquor bottles from Telangana to Andhra Pradesh. The former is a rule follower who will do his job no matter what. So, when Sekhar engages in physical contact with one of the constables, Bheemla brings him to the police station. The humour quickly kicks in, and the risqué dialogue keeps it engaging. Suguna (Nithya Menen), Bheemla’s wife, is also a firebrand who puts salt to the wound. Saagar does an excellent job at adapting her persona for this rendition.

Soon, a cold war between Sekhar and Bheemla erupts, with the former attempting to humiliate the latter. The latter’s shift from a rigorous police officer to a comprehensive mass character is the adaptation’s high point. It’s a delight for Pawan’s admirers, who haven’t seen their favorite hero in such a role in a long time. However, Trivikram’s politically charged monologues appear needless, despite the fact that fans appear to love them.

When Bheemla unleashes the wild monster in him, things go from bad to worse for Sekhar, and Suguna soon joins the fray. A well-choreographed lodge scene fight is not only a whistle-worthy event for spectators, but for everyone. The picture, however, quickly loses momentum; a superfluous flashback appears to be there merely to show off another well-choreographed battle scene – when there are already far too many of them. The tribal hamlets of Nallamalla’s interiors are well-depicted, but given who is starring in this show, one wonders about the political purposes behind them. The conclusion should have been handled better as well, because the pale ending feels unreasonable after a film full of mass events. The film’s emotional sections are obviously sloppy written.

Bheemla Nayak exemplifies why Pawan Kalyan is such a massive celebrity; his signature antics are on full display in the film, and his simple dance steps are adorable. Rana Daggubati is fantastic, and this film demonstrates how effectively he can perform. Nithya Menen is adequate in her role, but it is Samyuktha Menon’s mature performance that will land her more jobs in the future. Thaman deserves a special mention for maintaining his word and providing a memorable score. He makes extensive use of singers such as kinnera artist Darshanam Mogilaiah and Kummari Durgavva in the folk songs he composed for Bheemla.

After all is said and done, comparing Bheemla Nayak to Ayyappanum Koshiyum seems unfair. The filmmakers keep only the skeleton of the story intact, fleshing out the rest of the story to fit the star power. If the original is a story-driven picture, this Telugu version is purely driven by the actors. That is, the filmmakers do their best to minimize the wealth and caste disparities that existed between the original’s major protagonists. Any hint of communism is likewise removed, and anything remotely political appears to be motivated solely by agenda.
Fans of Ayyappanum Koshiyum should not walk into Bheemla Nayak expecting a remake that is faithful to the original in meaningful ways. But, at the end of the day, whether you like Pawan and Rana or not, this is a film that will entertain you.