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Acharya Movie Details

Koratala Siva’s Acharya is a 2022 Indian Telugu-language action-drama film written and directed by him. Konidela Production Company and Matinee Entertainment are in charge of the production. Chiranjeevi plays the eponymous character in the film, alongside Ram Charan, Sonu Sood, and Pooja Hegde in supporting parts. Mani Sharma composed the music, and Tirru directed the film. The film will be released in December 2020. The film’s principal photography began in January 2021, but the project was pushed back due to the COVID-19 epidemic.

Acharya Movie Release Date

The film was released on April 29, 2022, and garnered mixed reviews from reviewers and audiences alike, with critics praising the film’s cinematography and duet performances of Chiranjeevi and Charan while criticizing the film’s antiquated narrative, story, directing, background score, and VFX.

Acharya Movie OTT Release Date

Acharya Movie Cast

• Chiranjeevi as Acharya
• Ram Charan as Siddha
• Sonu Sood as Basava
• Pooja Hegde as Neelambari
• Jisshu Sengupta
• Vennela Kishore
• Saurav Lokesh
• Kishore
• Posani Krishna Murali
• Tanikella Bharani
• Ajay
• Sangeetha Krish
• Nassar
• Satya
• Banerjee
• Mahesh Babu as the narrator
• Satyadev Kancharana as Comrade Shankar (cameo appearance)
• Regina Cassandra as Mandakini (cameo appearance in the item song “Saana Kastam”)

Acharya Movie Review

When a film’s selling point is that it stars two superstars, you tend to anticipate a little too much from it. Then the filmmakers go ahead and throw in a temple town, some laal salaam, a villain or two, and some gorgeous females; on paper, it has all the makings of a fantastic masala film. But, like the temple town, Koratala Siva’s Acharya is torn between being a commercial potboiler and a picture that takes its tale far too seriously.

According to legend, an Ammavaru once descended to Earth to save a tribe from a terrible fate and then returned. The communities of Dharmasthali and Padaghattam, as well as the woodland tract known as Siddhavanam, surround the temple built for her. Years later, the people of Padaghattam are noted for upholding dharma and being Ayurvedic experts. Dharmasthali’s residents, on the other hand, engage in corrupt behaviors, assisted by Basava (Sonu Sood). Rathod (Jisshu Sengupta), a businessman, sets his sights on Siddhavanam for illicit mining. Soon after, a mysterious stranger named Acharya (Chiranjeevi) arrives in town to put everything back in order. The tale revolves around who he is, why he is invested in the fate of these individuals, and what he has to do with Siddha (Ram Charan) and Neelambari (Pooja Hegde).

Acharya is based on an intriguing, if cliche, notion. The issue is that the promotional material has revealed so much that there is nothing shocking when you watch the film. You can tell Acharya is a Naxal from a mile away, and you can also tell why he’s in Dharmasthali because the cliche is as ancient as time. The first half of the film, on the other hand, pretends we don’t know these facts and relies on us discovering more about Acharya as the story unfolds. The vigilante ruffles some feathers, and Basava is hot on his tail. But it is only in the second half of the picture that Acharya manages to inject some mystery into the proceedings, if only because Ram Charan appears.

The film is a jumble of paradoxes that, after a time, give you whiplash. It condemns men who engage in lust and excess, as the camera objectsifies Regina Cassanda in the special number, Saana Kashtam. However, the picture finds its feet after Siddha’s story unfolds, and while it remains predictable, Koratala manages to provide audiences with some memorable moments. Aside from the song Banjara, listeners would remember a moment in which Acharya and Siddha make fun of goons as they stab them. There’s even a battle scene or two near the end that serves its purpose.

It’s a shame Acharya doesn’t work as well as it should because Chiranjeevi and Ram Charan have shown in the past that they can do better. However, it is just these two that will keep you going through this voyage. Of course, Kajal Aggarwal’s character has been completely cut from the film, and Pooja Hegde doesn’t receive a meaningful one. Sonu and Jisshu can play their parts in their sleep, but Ajay manages to land (and pull off) a character that isn’t one of his usuals. The rest of the cast does well as well. Mani Sharma’s songs, such as Laahe Laahe and Neelambari, are forcefully integrated into the story, and his BGM serves the same objective.

There’s no other way to put it: Acharya lacks the soul required to carry off a story that relies too heavily on people identifying with the concept of dharma. We all know Koratala Siva, Chiranjeevi, and Ram Charan are capable of much more.